Category: environment

water is life (the full story)

The Dinè nation is rich with oil, natural gas, coal, uranium + water in aquifers.  Yet, as a result of decades of being treated as a colonized nation approximately 25% of the 180,000 people living on the rez don’t have running water (or electricity though more people are getting solar systems).

This new 2 color, 16″ x 25″ hand pulled screen print,  edition of 100 will be used to raise money for Dig Deep, a private California based company bringing water (+ solar energy) to the rez through the Navajo Water Project.  The prints go for $70 including shipping with 100% of funds going to the Navajo Water Project.   If interested, email me at jetsonorama@gmail.com.

Peace.

 

event horizon

I was invited to participate in the 2017 Joshua Treenial.  The theme this year was event horizon.  I ventured to Joshua Tree in January to find a potential location for an installation and to obtain source photos.

Thanks to local resident and artist Diane Best I was able to find an abandoned house on the property of Blake Simpson.  Per Blake the house hadn’t been occupied for 10 years or more.   Upon completion of the installation Blake was moved to use the space for community art happenings.  My artist statement describes my thinking about this project.

In general relativity theory, an event horizon is a boundary in space-time beyond which events cannot affect an outside observer. In layman’s terms, it is defined as “the point of no return, the point at which gravitational pull becomes so great as to make escape impossible, even for light.”

My piece, “Inside out” focuses on an environmental point of no return.  Environmental scientists identify 350 parts per million of CO2 in the atmosphere as being the point of no return.  As stated on the website of the environmental organization 350.org:

“…Since the beginning of human civilization, our atmosphere contained about 275 ppm of carbon dioxide. That is the planet “on which civilization developed and to which life on earth is adapted.” Beginning in the 18th century, humans began to burn coal, gas, and oil to produce energy and goods. The amount of carbon in the atmosphere began to rise, at first slowly and now more quickly. Many of the activities we do every day like turning the lights on, cooking food, or heating our homes rely on energy sources that emit carbon dioxide and other heat-trapping gases. We’re taking millions of years worth of carbon, once stored beneath the earth as fossil fuels, and releasing it into the atmosphere.

Right now we’re at over 400 ppm, and we’re adding 2 ppm of carbon dioxide to the atmosphere every year. Unless we are able to rapidly turn that around and return to below 350 ppm this century, we risk triggering tipping points and irreversible impacts that could send climate change spinning truly beyond our control.”

Wildlife biologists predict that at the current rate of temperature rise, 1/3 of all anmal [animal] special are at risk of extinction by 2050 unless CO2 emissions are reduced by 30%.  For this reason, stark imagery from the Salton Sea was used to dramatize the urgency with which we need to act to limit CO2 emissions and subsequent temperature and ocean level increases.

“It would take about 30 feet of sea level rise to connect the Salton Sink to the ocean and permanently fill it again. Realistically, climatologists expect at most 2 meters (about 6.5 feet) of sea level rise by 2100. Without significant reductions to our carbon emissions and/or physical intervention to block sea level rise, the Salton Sink (as well as all of the area reaching from Imperial Valley to the Sea of Cortez) will eventually be permanently under water. (https://saltonseasense.com/2016/01/14/the-other-changing-sea-level/#more-1166)

Our pattern of carbon based energy exploitation and consumption has turned our planet upside down and inside out.  The Hopi have a word for this called “koyaanisqatsi” which means crazy life or life out of balance.

The time to act is now.

Images by Diane Best are below:

Images by Gabrielle Houeix are below:

My artist statement was included in the structure with the hopes of raising awareness and prompting people to action.

Video of the dancing joshua tree: https://vimeo.com/212393820

Brooklyn Street Art blog coverage of the Joshua Tree installation is here.

 

climate change and bird migration

full-barn-2

If one were to google “…what is the impact of climate change on bird migration,” one of the first links that comes up is a page by World Migratory Bird Day 2007.    It seems this organization formed in 2007 to bring light to the issue of climate change on bird migration, had their day then dissolved.  However, they created a fact page with 5 immediate changes to migratory birds as a result of climate change.  One of the first things they identify is this…

“One of the major effects of climate change is the loss of habitats. The habitats migratory birds depend on are in danger to change and to disappear due to increasing temperatures, flooding or desertification. Coastal wetland areas that migrating birds use for nesting and foraging are an example. During their migration, birds rely on these areas to provide food and resting places. There they can refuel and repose before continuing their long journeys. Rising sea levels due to climate change cause the flooding of these habitats and they are lost for birds and other animals. Without these stop-over places, the birds have insufficient reserves to continue and have difficulties completing their journeys.”

This past winter I was invited by 516 Arts in Albuquerque to collaborate with an experimental dance troupe.  Our setting for this collaboration would be the only urban bird sanctuary in the southwest, Valle de Oro in Albuquerque.  I was invited to do an installation on the front of an old milk barn where part of a dance performance would be held.

milk-barn

milk-storage-tank

Upon seeing the old milk storage tank I got excited about installing there as well.  I met with the dancers twice – once in April and later in June to photograph them.  I’d wanted my focus for the piece that I created to be climate change related but I wasn’t sure in what way.  Choosing from hundreds of frames of the dancers I was struck by a series of movements performed as a duet.  For me, the three images I chose from the duet are a visual metaphor of our relationship with nature.

kelsey-brian-left-side

In the first panel one questions whether the humans are defending themselves from the birds, shielding their eyes from the too bright sun in the intense heat to better see what’s overhead.  The relationship between humans and nature is uncertain and to some degree unsettling.

kelsey-brian-right-side

Panel 2 suggests that with time and observation a dialog may form.  Communication may occur.

 

milk-tank

And in panel 3 there’s resolution and synchronicity. Although it’s a simplistic view of our dynamic relationship with nature it suggests that through observation over time we develop a better understanding of our connection to nature and the need to preserve it by addressing the root causes of climate change.

 

ensemble-in-front-of-barn

 

Installation
me-installing-1

me-installing-2

brian-passing-first-wall-at-night

brian-capturing-a-sunset

Shout out to Brian Gonnella, my assistant from Pittsburgh, PA for 6 weeks.  He’s seen above capturing one of Albuquerque’s magical sunsets.

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