jetsonorama

  • about
  • installations
    • 2009
    • 2010
      • evolution show (flagstaff, azu0026nbsp;06.10)
    • 2011
      • 350.org
    • 2012
      • action on the plains (collaboration withu0026nbsp;m12)
      • open walls baltimore
    • 2013
    • 2014
    • 2015
    • 2016
    • 2017
  • the painted desert project
    • 2012
      • overunder (nevada)
      • labrona (canada)
      • gaia (nyc +u0026nbsp;baltimore)
      • doodles (somewhere in washingtonu0026nbsp;state)
      • tom greyeyes
      • breeze (phoenix)
      • roa (belgium)
      • 2501 + pixel panchou0026nbsp;(italy)
      • jb snyder (phoenix)
    • 2013
      • alexis diaz (san juan, puertou0026nbsp;rico)
      • brian barneclo (sanu0026nbsp;francisco)
      • ever (buenos aires,u0026nbsp;argentina)
      • nanook (baltimore)
      • nils westergard (richmond,u0026nbsp;va)
      • tom greyeyes (flagstaff,u0026nbsp;az)
    • 2014
      • chelsea wait (milwaukee,u0026nbsp;wi)
      • debra yepa-pappan (chicago,u0026nbsp;il)
      • jeremy singer (phoenix,u0026nbsp;az)
      • doodles + monica canilao (washington state +u0026nbsp;oakland)
      • troy lovegates + labronau0026nbsp;(canada)
      • jaz (buenos aires, argentina) – september 2014
      • hyuro (argentina u0026gt; spain) septemberu0026nbsp;2014
      • lunar new year x mata ruda (newark, nj) septemberu0026nbsp;2014
    • 2015
      • alberto aguilar (chicago by way ofu0026nbsp;mexico)
      • Stinkfish (Colombia), Mazatl (Mexico) + Killjoy Pressu0026nbsp;(Texas)
      • Billy Fefer (Flagstaff,u0026nbsp;AZ)
    • 2016
      • Icy + Sot (Iran, Juneu0026nbsp;2016)
      • andrea avery (chetek,u0026nbsp;wisconsin)
    • 2017
      • Kate DeCiccio (Washington, DC) Juneu0026nbsp;2017
      • Likes_1 (Chicago, Il) Juneu0026nbsp;2017
      • Raul Zito (Sao Paulo, Brasil) Augustu0026nbsp;2017
  • press!
  • contact me
  • sight does not equal vision

    sight does not equal vision

    Back in the fall of 2022 I received an invitation from a photography organization I’d never heard of called FotoFocus. It was surprising to me that I didn’t know anything about since I’ve been following photography magazines and blogs closely for the past 37 years. FotoFocus hosts a biennial which they describes as follows “the…

    jetsonorama

    October 19, 2024
    Uncategorized
    Cincinnati, gentrification, storytelling, streetart, wheatpaste
  • Charlie Glass and the mystery woman.

    Charlie Glass and the mystery woman.

    I didn’t know who the lady beside Charlie Glass was when I put this piece up in Moab, UT in October of this year. When Mary Langworthy of Moab Museum presented me with several photos of Charlie (included below), I gravitated to the image of him above because it shows 2 handsome and stylishly dressed…

    jetsonorama

    November 27, 2023
    Uncategorized
    blackwest, charlieglass, creekfreedmen, dickglass, kidglass, lucypride, moabmuseum, samsixkiller, sheepwars
  • junaluska

    junaluska

    The Junaluska community in Boone, North Carolina is one of the earliest African American communities in western North Carolina.  “According to census records from 1850 Johnson Cuzzins (also spelled Cuzzens and Cousins) was a 44 year old farmer with a white wife named Charlotta (1). Johnson and Charlotta had nine children ranging from three months to eighteen…

    jetsonorama

    April 27, 2023
    Uncategorized
    applachia, blackappalachia, blackjoy, junaluska
  • combining elements 1

    combining elements 1

    water Anyone who has spent time in the southwest knows how precious a resource water is. A Washington Post headline in February of this year announced “Southwest drought is the most extreme in 1200 years” and “The past 22 years rank as the driest period since at least 800 A.D.” The Guardian in November 2021…

    jetsonorama

    October 14, 2022
    climate change, climate justice, environment, Uncategorized
    nuclearcolonialism
  • Tacos La Pasadita

    Tacos La Pasadita

    I spent part of this past week in Green River, Utah as a guest of Epicenter whose mission statement reads “Epicenter stewards creative initiatives that honor the past, strengthen the present, and build the future that we envision alongside our community”. My engagement with Epicenter involved spending time with an extended Mexican family that moved…

    jetsonorama

    April 4, 2022
    community
    epicenter, pasteup, photomuralism, ruralandproud, storytelling
  • Native Enslavement in the Southwest

    Native Enslavement in the Southwest

    On June 28, 1865, President Andrew Johnson had directed every Indian Agent in the Southwest to conduct a survey to determine persons holding Native American captives as slaves, although they were not at this time asked to free Indian slaves.  When Lafe submitted his list of Indian captives to Colorado Governor John Evan on July…

    jetsonorama

    June 22, 2021
    Uncategorized
    native enslavement, nativeenslavement, nativeslavery
  • Pandemic Chronicles

    Pandemic Chronicles

    I spent the early part of the pandemic (April to August), collaborating with poets Esther Belin, Jess X. Snow, Ursula Rucker, Mahogany L. Brown and Olmeca and visual artists Titus Brooks Heagins and André Leon Gray to create an online zine we call “Pandemic Chronicles, Volume 1.” We received contributions from Thea Gahr, Jayden Fields…

    jetsonorama

    January 30, 2021
    community, poetry, Uncategorized
    pandemic, pandemicasportal, pandemicchronicles
  • american rent is due

    american rent is due

    Having fallen into a state of disrepair on a highway heavily used by motorists from the Navajo nation and around the world the Painted Desert Project invited Phoenix based artist Thomas “Breeze” Marcus to assemble a crew of artists to envision the space differently.

    jetsonorama

    December 5, 2020
    the painted desert project
    #painteddesertproject, apacheskateboards, whitingbros
  • 4 meditations on a changing environment

    4 meditations on a changing environment

    Four Meditations on a Changing Climate The first image is a portrait of 2 shrubs that were scorched recently in a brush fire near my home.  Scientific models project more fires nationwide (worldwide actually), as temperatures increase creating more kindling for big fires.

    jetsonorama

    September 29, 2020
    Uncategorized
  • covid 19 public service announcements

    covid 19 public service announcements

    jetsonorama

    August 31, 2020
    community health, covid 19
    covid19, covidpsa, navajonation
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i wasn’t anticipating the complete deflation of hope this week.  realizing the need to return to full warrior mode i find comfort and hope in the words of #nelsonmandela. a luta continua (the struggle continues). photographer unknown. “believe” 4 years later at walter, the bus in downtown phoenix. photo by sean kautenburger. Mr. Rankins, who lost his sight in 2014, gets the mural described to him by Marvin Smith, owner of Ollie’s Trolley. (See last post.👇🏿) shout out to artist @m1rk2lb3in  i couldn’t have gotten this up in 4 days with you! (the full story is at the “sight ≠ vision” link in my bio. ☝🏿) Back in the fall of 2022 I received an invitation from an organization I’d never heard of called FotoFocus. They describe their biennial like this “the FotoFocus Biennial is a month-long celebration of photography and lens-based art that unites artists, curators, and educators from around the world. Now in its seventh iteration, the 2024 FotoFocus Biennial encompasses 107 projects at 86 Participating Venues across Greater Cincinnati, Dayton, Columbus, and Northern Kentucky — the largest of its kind in America.” I was invited to Cincinnati in the fall of 2023 to participate in a lens-based forum they host and this fall I got to take part in the biennial. My show is running at the Contemporary Center of Art designed and built in 2002 by Zaha Hadid. and it’s a wrap! thank you @fotofocus biennial for the invitation to participate in your 10th anniversary celebration. thank you ken ogawa, @psculpta @s_dooley1971 and peggi crawley for making the trip to cincinnati to support and participate. In August of 2022 I returned to @calbrazilcamp after a 10 year hiatus. As before, the experience of being amongst magestic, ancient California redwoods while studying Brazilian music and dance from Brazilian masters was transformative. I’d not heard the music of @fabianacozza before going but was so moved by her voice and spirit that I sat in on her Intro to Brazilian Music vocal class for a week. (As a non singer I never would have done this were she not teaching two songs by my favorite musician, Milton Nascimento. In the video she’s teaching “Ponte de Areia” from the 1975 Wayne Shorter release “Native Dancer”. This lp introduced people not familiar with Milton’s angelic and poetic voice to his gift.) I told Fabiana about my recent trip in March 2020 to Brazil as the pandemic was descending and of my friend @zito.raul who, as it turned out, took the photo of her first lp.  Zito is a talented musician and artist who also does large scale paste-up, photographic murals. We’ve been connected since 2009. Check out his work if you’don’t know it. A highlight of my 2020 trip to Brazil was getting to accompany Zito and his pagode ensemble on one of their regularly scheduled trips to Cracolândia in São Paulo where they bring the transformative and healing power of music. This is where the cover image was taken. I’m honored that my friend Fabiana Cozza chose this image for her new single which dropped today. (I think it’s available on all platforms.) Please check out the music of Fabiana and the art of @zito.raul. 🙌🏿💥 stolen moments from the soft opening last night at the contemporary art center cincinnati as part of the @fotofocuscincinnati bienal. thank you to my collaborator and long time inscription house health center friend, ken ogawa and to the painted desert project participants who contributed work. lastly, thank you to curator @fultonstreet and to fotofocus. the show will run until early january 2025. also, ken and i made an antinuclear zine which we’re still figuring out how to distribute to the non cincinnati based public. stay tuned! #zahahadid scenes from the rally today at red butte on havasupai land opposing pinyon plain uranium mine (in the recently designated ancestral footprints of the grand canyon national monument). the action was organized by @sierraclubaz (grand canyon chapter) which called upon governor katie hobbs to work with the navajo nation and havasupai to close the mine.  meanwhile, a six month moratorium on uranium ore hauling across the navajo nation is in effect  until the beginning of 2025. #leaveitintheground #nouranium #protectgrandcanyon #waterislife how thrilled was i to open an email from the curator of the “other side of the tracks” show and to realize that a photo in the email was a picture of a woman who is watching my “the bison didn’t cross the tracks” short film. (the awesome first photo is by photo is by @kaylafearportraits ) the photos that follow are stills from the film. ✌🏿 @redlinedenver
archive of blog posts
  • October 2024
  • November 2023
  • April 2023
  • October 2022
  • April 2022
  • June 2021
  • January 2021
  • December 2020
  • September 2020
  • August 2020
  • April 2020
  • March 2020
  • December 2019
  • August 2019
  • May 2019
  • February 2019
  • January 2019
  • November 2018
  • July 2018
  • June 2018
  • May 2018
  • March 2018
  • January 2018
  • December 2017
  • November 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • January 2017
  • October 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
public art portfolio (2009 – present)
film (analog) prints (1987 – 2012)
Alaine’s pregnancy with Owen (09.2008)
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