Category: climate change

event horizon

I was invited to participate in the 2017 Joshua Treenial.  The theme this year was event horizon.  I ventured to Joshua Tree in January to find a potential location for an installation and to obtain source photos.

Thanks to local resident and artist Diane Best I was able to find an abandoned house on the property of Blake Simpson.  Per Blake the house hadn’t been occupied for 10 years or more.   Upon completion of the installation Blake was moved to use the space for community art happenings.  My artist statement describes my thinking about this project.

In general relativity theory, an event horizon is a boundary in space-time beyond which events cannot affect an outside observer. In layman’s terms, it is defined as “the point of no return, the point at which gravitational pull becomes so great as to make escape impossible, even for light.”

My piece, “Inside out” focuses on an environmental point of no return.  Environmental scientists identify 350 parts per million of CO2 in the atmosphere as being the point of no return.  As stated on the website of the environmental organization 350.org:

“…Since the beginning of human civilization, our atmosphere contained about 275 ppm of carbon dioxide. That is the planet “on which civilization developed and to which life on earth is adapted.” Beginning in the 18th century, humans began to burn coal, gas, and oil to produce energy and goods. The amount of carbon in the atmosphere began to rise, at first slowly and now more quickly. Many of the activities we do every day like turning the lights on, cooking food, or heating our homes rely on energy sources that emit carbon dioxide and other heat-trapping gases. We’re taking millions of years worth of carbon, once stored beneath the earth as fossil fuels, and releasing it into the atmosphere.

Right now we’re at over 400 ppm, and we’re adding 2 ppm of carbon dioxide to the atmosphere every year. Unless we are able to rapidly turn that around and return to below 350 ppm this century, we risk triggering tipping points and irreversible impacts that could send climate change spinning truly beyond our control.”

Wildlife biologists predict that at the current rate of temperature rise, 1/3 of all anmal [animal] special are at risk of extinction by 2050 unless CO2 emissions are reduced by 30%.  For this reason, stark imagery from the Salton Sea was used to dramatize the urgency with which we need to act to limit CO2 emissions and subsequent temperature and ocean level increases.

“It would take about 30 feet of sea level rise to connect the Salton Sink to the ocean and permanently fill it again. Realistically, climatologists expect at most 2 meters (about 6.5 feet) of sea level rise by 2100. Without significant reductions to our carbon emissions and/or physical intervention to block sea level rise, the Salton Sink (as well as all of the area reaching from Imperial Valley to the Sea of Cortez) will eventually be permanently under water. (https://saltonseasense.com/2016/01/14/the-other-changing-sea-level/#more-1166)

Our pattern of carbon based energy exploitation and consumption has turned our planet upside down and inside out.  The Hopi have a word for this called “koyaanisqatsi” which means crazy life or life out of balance.

The time to act is now.

Images by Diane Best are below:

Images by Gabrielle Houeix are below:

My artist statement was included in the structure with the hopes of raising awareness and prompting people to action.

Video of the dancing joshua tree: https://vimeo.com/212393820

Brooklyn Street Art blog coverage of the Joshua Tree installation is here.

 

climate change and bird migration

full-barn-2

If one were to google “…what is the impact of climate change on bird migration,” one of the first links that comes up is a page by World Migratory Bird Day 2007.    It seems this organization formed in 2007 to bring light to the issue of climate change on bird migration, had their day then dissolved.  However, they created a fact page with 5 immediate changes to migratory birds as a result of climate change.  One of the first things they identify is this…

“One of the major effects of climate change is the loss of habitats. The habitats migratory birds depend on are in danger to change and to disappear due to increasing temperatures, flooding or desertification. Coastal wetland areas that migrating birds use for nesting and foraging are an example. During their migration, birds rely on these areas to provide food and resting places. There they can refuel and repose before continuing their long journeys. Rising sea levels due to climate change cause the flooding of these habitats and they are lost for birds and other animals. Without these stop-over places, the birds have insufficient reserves to continue and have difficulties completing their journeys.”

This past winter I was invited by 516 Arts in Albuquerque to collaborate with an experimental dance troupe.  Our setting for this collaboration would be the only urban bird sanctuary in the southwest, Valle de Oro in Albuquerque.  I was invited to do an installation on the front of an old milk barn where part of a dance performance would be held.

milk-barn

milk-storage-tank

Upon seeing the old milk storage tank I got excited about installing there as well.  I met with the dancers twice – once in April and later in June to photograph them.  I’d wanted my focus for the piece that I created to be climate change related but I wasn’t sure in what way.  Choosing from hundreds of frames of the dancers I was struck by a series of movements performed as a duet.  For me, the three images I chose from the duet are a visual metaphor of our relationship with nature.

kelsey-brian-left-side

In the first panel one questions whether the humans are defending themselves from the birds, shielding their eyes from the too bright sun in the intense heat to better see what’s overhead.  The relationship between humans and nature is uncertain and to some degree unsettling.

kelsey-brian-right-side

Panel 2 suggests that with time and observation a dialog may form.  Communication may occur.

 

milk-tank

And in panel 3 there’s resolution and synchronicity. Although it’s a simplistic view of our dynamic relationship with nature it suggests that through observation over time we develop a better understanding of our connection to nature and the need to preserve it by addressing the root causes of climate change.

 

ensemble-in-front-of-barn

 

Installation
me-installing-1

me-installing-2

brian-passing-first-wall-at-night

brian-capturing-a-sunset

Shout out to Brian Gonnella, my assistant from Pittsburgh, PA for 6 weeks.  He’s seen above capturing one of Albuquerque’s magical sunsets.

up highway 64 towards the entrance of the south rim (at thomasina’s stand)

monica-1

 

jc-+-monica

 

jc-(outside)

It had been a  couple years since I last spent any time with Marley and her mom, Sina in their spot near the Little Colorado River Gorge.  I had a leftover screen print that was one of the posters used to promote the 2014 People’s Climate March (printed by Justseeds artist, Jesse Purcell).  Although Sina wasn’t there, Marley was there with a full crew.  Thanks for a fun hang!

flagstaff x la misión

Wow.  It’s been a busy couple weeks which included prepping like a big dog for the Mountain Film festival installation, going to Telluride at 9000 feet to do the installation with the occasional small piece going up in Flagstaff.  Shout out to Brooklyn Street Art who’ve scheduled to run the story of the Telluride installation tomorrow.  Good looking out Steve + Jaime.

step-i-am-the-change

 

 

step close

mash up in flagstaff

corn

Talking about corn and climate change.  The text reads “The Diné (Navajo) word for sweet corn is naa dáá which is a large grain plant first domesticated by indigenous peoples in Mexico[1] about 10,000 years ago.  Beginning about 2500 BC, the crop spread through much of the Americas.[6] The region developed a trade network based on surplus and varieties of maize crops.  After European contact with the Americas in the late 15th and early 16th centuries, explorers and traders carried maize back to Europe and introduced it to other countries. Maize spread to the rest of the world because of its ability to grow in diverse climates.

And what is the future of maize and other crops in the southwest as the planet warms?  The Southwest is the hottest and driest region in the United States, where the availability of water has defined its landscapes, history of human settlement, and modern economy.  Severe and sustained drought will stress water sources, already over-utilized in many areas, forcing increasing competition among farmers, energy producers, urban dwellers, and plant and animal life for the region’s most precious resource.  Agriculture, a mainstay of the regional and national economies, faces uncertainty and change. The Southwest produces more than half of the nation’s high-value specialty crops, including certain vegetables, fruits, and nuts. The severity of future impacts will depend upon the complex interaction of pests, water supply, reduced chilling periods, and more rapid changes in the seasonal timing of crop development due to projected warming and extreme events.”

me installing jamison

jamison 2

margeaux bestard

Jamison + his dog at the Boiler Room Studio in Flagstaff

klee + princess in the mission by (aniduhh)

klee-+-princess-in-the-mission-by-bayarealife

Klee + Princess in the Mission, San Francisco outside Galería de la Raza coinciding with their “For the People” show.  The full backstory on this piece “What we do to the mountain we do to ourselves” will appear on the blog Brooklyn Street Art tomorrow.  And how can you not love Brooklyn Street Art when they love you more everyday?

free your mind…

New stickers and screen prints.

 

owen-holding-his-sticker

Owen, now 11, holding a sticker of himself with his brother Aidan in the background getting a snowball ready for his noggin.

 

owen-throwing-snowball

 

family-portrait-(dogs-+-cat)

 

owen-at-little-colorado-overlook-(no-text,-sepia)

 

stephanie i am the change (revised blue) 5 inches

 

jc with coal cloud (4 inches)
step-on-jr's-house

Individual stickers are $3.00 each or buy 2 for $5.00.  Contact me at jetsonorama@gmail.com if interested.

 

step-holding-step-on-jr's-house

Stephanie rocking the screen print of her image on JR’s former house outside Tuba City.

 

police-line-(toren)

For backstories + ordering info head over to http://www.jetsonorama.net and look for the “shop” tab.

Peace.

requiem for a warming planet

improvisational duet with ice by dancer kimi victoria eisele.  (music “pathways of the mind” from meridian suite by antonio sanchez.)

 

goodbye to ice

Danish – Icelandic artist Olafur Eliasson partnered with Danish geologist Manik Rosing to create a tangible commentary on climate change by bringing 12 blocks of glacial ice from Greenland to Paris for ArtCop 21.  The piece is titled “Ice Watch.”  By arranging the 12 pieces of ice like the numbers on a clock their melting in the temperate Parisian environment is a poignant reminder of our planet warming and the detrimental impact this will have on our fragile ecosystem.

 

 

people’s climate march commemorative screen print

people's-climate-march-(monica!-screenprint-3)

people's-climate-march-(monica!-screenprint-2)

people's-climate-march-(monica!-screenprint-1)
people's-climate-march-(monica!)

in anticipation of the world climate summit (this december in paris) you can show the painted desert project some love by getting a one color, hand pulled (by the good people at ocelot print shop in detroit) commemorative screen print on 19 x 25 archival paper.  they’re a limited edition of fifty, signed, stamped + numbered for $50.  if interested, hit me at jetsonorama@gmail.com.

peace.

new print!

step on parched earth

 

just dropped!  “i am the change” (otherwise known as “stephanie on parched earth”).

19 x 25, hand pulled screen print on archival paper printed by the good folks at ocelot print shop in detroit, mi.  support the painted desert project to help get art on the roadside on the navajo nation for $50 including shipping.

peace.

 

 

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