Dan Budnik is a Flagstaff based photographer who first came to this region in the 70s to photodocument forced relocation of Navajos living on “Hopi Partition Land” on Black Mesa. It was his documentation of the conflict that led to the 1985 Academy Award winning documentary “Broken Rainbow” which examines coal exploitation and the origins of the Navajo – Hopi tribal government conflict. His images from that period are compelling. It’s the type of up close + personal, black + white photography that I grew up seeing in Life Magazine. The imagery reflects Dan’s time commitment to telling a story truthfully and the trust the people he was photographing had in him.
Stinkfish poster with MLK criminal justice reform posters.
Collaboration with fellow Justseeds printmaker + activist, Thea Ghar.
I first met Dan maybe 3 years ago; however, it wasn’t until he had a show of black + white, silver gelatin prints and color photos at a small restaurant in Flagstaff in May of 2015 to commemorate the 50th anniversary of the march from Selma to Montgomery that Dan got my attention. I wanted to know what a photographer of his caliber was doing in northern Arizona. He told the story of going to the Navajo nation in the 70s and falling in love with the people and the land. I stopped him at this point and told him he didn’t need to elaborate. I got it. The show was worthy of being held in any gallery in any city in the world. I’m not exaggerating. Though Dan is a humble, gentle spirit, his talent as a photographer is exceptional. It was his image of Dr. King that appeared on the cover of Time Magazine in April 1968 when Dr. King was killed.
I’m proud as hell to be able to say Dan Budnik is my friend. Last year we’d hoped to collaborate on a project in Selma where I’d install some of his images from the Selma to Montgomery march on abandoned store-fronts in downtown Selma. However, the bureaucracy to realize this dream was insurmountable. Instead, Dan let me use an image of marcher Frederick Moss for an installation in Brooklyn. (Yeah, Brooklyn. I like the unintentional symbolism of a black man on his back in the street holding an American flag. This time last year there were several black men on their backs in the street.) When Dan shot the image of Frederick Moss, Mr. Moss was simply exhausted after a grueling 5 day, 54 mile demonstration and laid down in a vacant spot to rest.
I wanted to pay tribute to my friend by getting the Frederick Moss image up in his adopted home of Flagstaff, AZ.
Toren at Moenkopi Wash
Hózhó – a word that defines the essence of Navajo (Diné) philosophy. It encompasses beauty, order, harmony + expresses the idea of striving for balance.
I have known Dan’s work for years. I used many of his images in history books hoping to to expose who things really were. I am glad that the two of you are able to coordinate on a project. Shame on the folks in Selma. Keep doing the good!
Dan is the man! No doubt. Thanks for the support Kathy.